Archivos anual: 2015

Matt Gemmell hablando de Apple Watch y su relación con los otros dispositivos:

I’m making full use of the Watch, including all the much-touted stuff like fitness tracking, sending sketches and taps to other wearers, and controlling the music in my office from my wrist. But the revelation for me has been how this little gadget – so very clearly a 1.0 product – has changed my relationship with my other devices.

In the same way that the iPhone was the first phone to really start eating away at what we used computers for, the Watch is the first wearable that’s lessened the amount of time I spend with my phone. For much of my day, the iPhone has become a sort of server, sitting quietly in a pocket, facilitating my interactions with its little brother.

Origen: Distractions – Matt Gemmell

Interesante.

Created by Binaura, LandWaves is a raw sonification of a 1D reaction diffusion system originally imagined as an installation and now available for iOS – the team’s first anti-app non-interactive piece designed for the app store.

Origen: LandWaves – Raw sonification of a 1D reaction diffusion system for iOS / by @_stc

The Metagame, un juego de cartas para pelearse por las opiniones culturales. Vamos, como la cultura de verdad.

It’s a deck fueled by opinions and connections between the ridiculous extremes of culture. The set features 200 “culture cards” and 100 “opinion cards,” and includes suggestions for six games that range from three to thousands of players. In one of those, players construct a “metaquilt,” aligning cards in the style of dominoes to get all the sides to match up in a vaguely sensical way, such as placing Waiting for Godot alongside opinion cards for “What has the most subversive potential?” and “Would make the strangest fetish ever?” Another game suggestion is “Debate Club,” in which a group argues for the best match between a culture card and an opinion. “If the critics don’t like what you say, you are knocked out and become a critic, too,” the rules explain.

Origen: A Card Game to Debate the Absurd Extremes of Cultural Opinions

En la lista semanal de crímenes del arte, esta curiosidad:

The Chilean, Copenhagen-based artist Marco Evaristti has been sentenced to 15 days in jail in Iceland for pouring pink food dye into the beloved Strokkur Geysir. “I do what I do be­cause I’m a painter, a landscape painter who does­n’t use a can­vas, I paint di­rectly on na­ture,” said Evaristti in his defense.

Origen: Crimes of the Art

Edward Said asks: “How does Orientalism transmit or reproduce itself from one epoch to another?”I answered last year in a PS: Political Science & Politics essay: “In the case of superheroes, it is through the unexamined repetition of fossilized conventions that encode the colonialist attitudes that helped to create the original character type and continue to define it in relation to imperial practices.” I continued the thought in the book manuscript of On the Origin of Superheroes I sent to my press for copyediting last month: “The 1930s is an Orientalist pit superheroes may never climb out of.”

Origen: Himalayan Quake « The Hooded Utilitarian

The Big Lie of Science is that it doesn’t matter who does the science, as long as the research is sound. The truth is that scientists judge each other’s work through their own prejudices, and the Lie lets them get away with it. The Lie lets people remain silent when they see their colleagues being mistreated, because “personality shouldn’t matter”. The Lie absolves us of responsibility to do anything about discrimination and hostile environments for anyone who doesn’t neatly fit the mold created for white, straight, cisgendered men and those they approve of.

Origen: The Big Lie of science | Galileo’s Pendulum

No conocía muchos de ellos. Más que interesantes para hacer un día.

Origen: Physics Girl: Seven surface tension experiments | The Kid Should See This

 

https://www.youtube.com/watch?v=lZwjy4CbIWM

Origen: Here’s the Apple Watch Unboxing Itself – WatchAware

Catálogo diseñado por Duchamp para una exposición Dada. La gracia es que se suponía que el catálogo debía entregarse arrugado, formando una bola de papel:

The Dada catalogue has all 212 works listed from the exhibition at Sidney Janis Gallery in New York, including 12 by Duchamp alongside those by Max Ernst, Kurt Schwitters, Jean Arp, Man Ray, and others organized by country. Staggered alongside are four concise essays by Hans Arp, Richard Huelsenbeck, Jacques-Henry Lévesque, and Tristan Tzara, with the name of the exhibition in semi-bold, reddish orange over the black letterpress text. The layout readily recalls the kinetic feel of Duchamp’s “Nude Descending a Staircase, No. 2″ (1912), but it has as much in common with his readymades that took an object and repositioned it as art (most famously with the “Fountain” urinal, one of which was replicated in the Janis show). As Caroll Janis wrote in Art in America in 2006, when the “painstakingly produced catalogue” was printed, Duchamp reportedly “took a sheet in his hands, crushed it into a loose ball, and suggested that a trash can full of these paper balls be offered to visitors entering the vernissage” (which, as usual, he didn’t attend). The Philadelphia Museum of Art has one of these crumpled versions in its collections, with the catalogue going from printed poster, to trash, to art just by the action and context.

Origen: The Dada Catalogue Marcel Duchamp Designed to Be Thrown Away