El reloj

Matt Gemmell hablando de Apple Watch y su relación con los otros dispositivos:

I’m making full use of the Watch, including all the much-touted stuff like fitness tracking, sending sketches and taps to other wearers, and controlling the music in my office from my wrist. But the revelation for me has been how this little gadget – so very clearly a 1.0 product – has changed my relationship with my other devices.

In the same way that the iPhone was the first phone to really start eating away at what we used computers for, the Watch is the first wearable that’s lessened the amount of time I spend with my phone. For much of my day, the iPhone has become a sort of server, sitting quietly in a pocket, facilitating my interactions with its little brother.

Origen: Distractions – Matt Gemmell

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The Metagame

The Metagame, un juego de cartas para pelearse por las opiniones culturales. Vamos, como la cultura de verdad.

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It’s a deck fueled by opinions and connections between the ridiculous extremes of culture. The set features 200 “culture cards” and 100 “opinion cards,” and includes suggestions for six games that range from three to thousands of players. In one of those, players construct a “metaquilt,” aligning cards in the style of dominoes to get all the sides to match up in a vaguely sensical way, such as placing Waiting for Godot alongside opinion cards for “What has the most subversive potential?” and “Would make the strangest fetish ever?” Another game suggestion is “Debate Club,” in which a group argues for the best match between a culture card and an opinion. “If the critics don’t like what you say, you are knocked out and become a critic, too,” the rules explain.

Origen: A Card Game to Debate the Absurd Extremes of Cultural Opinions

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El géiser rosa

En la lista semanal de crímenes del arte, esta curiosidad:

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The Chilean, Copenhagen-based artist Marco Evaristti has been sentenced to 15 days in jail in Iceland for pouring pink food dye into the beloved Strokkur Geysir. “I do what I do be­cause I’m a painter, a landscape painter who does­n’t use a can­vas, I paint di­rectly on na­ture,” said Evaristti in his defense.

Origen: Crimes of the Art

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Los superhéroes y el orientalismo

Edward Said asks: “How does Orientalism transmit or reproduce itself from one epoch to another?”I answered last year in a PS: Political Science & Politics essay: “In the case of superheroes, it is through the unexamined repetition of fossilized conventions that encode the colonialist attitudes that helped to create the original character type and continue to define it in relation to imperial practices.” I continued the thought in the book manuscript of On the Origin of Superheroes I sent to my press for copyediting last month: “The 1930s is an Orientalist pit superheroes may never climb out of.”

Origen: Himalayan Quake « The Hooded Utilitarian

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